Main Features
Description
Specs
Included
Use case ideas
Evno GTXST Acoustic Guitar Microphone System
≈ Designed specific for acoustic guitars
≈ ST-CL Clamp mounts to traditional microphone stand
≈ Compatible with GTX-CL clamp for side mounting setups
≈ Microphone position is rotatable in the clamp for adjustment
≈ Most natural sounding guitar microphone on the market
≈ Ideal for soloist and orchestras alike in all genres of music
≈ 5.5” Flex-stay Gooseneck holds position as desired
≈ Designed on a 90 degree angle places the microphone in the direction of the sound source
≈ Compatible with Evno, Shure, Sennheiser, AKG, & McCormick Wireless
≈ Powered by PS95 for hardwired connection or wireless transmitters
≈ Includes Evno plastic carrying case
≈ Modular system breaks down for ease of transport
Evno Microphones has introduced a new product that enhances the flexibility of their instrument-specific microphones by providing an option to mount them on a stand. This setup is beneficial in various performance settings where a clip-on microphone might not be ideal or desired. For example, musicians performing in a Broadway-style pit, on a marching band field, on a crowded stage, or in situations where movement is minimal, may find a stand-mounted microphone more suitable.
The ST-CL (stand clamp) enables different Evno Microphones to be attached securely to a traditional microphone stand, ensuring consistent placement. This means musicians no longer need to use a generic stand microphone or general vocal dynamic microphone when they can utilize a microphone specifically designed for their acoustic instrument.
The ST-CL clamp can be purchased either with specific Evno microphone models or as a separate accessory. When ordered as part of the ST models, the package includes the following:
- An Evno microphone tailored for the specific instrument
- The ST-CL stand clamp
- A PS95 preamp/power supply
- A 3-4 pin mini XLR cable
- A leather Evno-branded carrying bag
All ST models are also compatible with Evno wireless systems, offering further flexibility for various performance environments and can also be additional adapted to a clip-on setup with additional clamps.
The complete Evno GTXST setup includes:
**XLR cables to connect from the PS95 power supply to a mixing console not included. A standard XLR / Mic cable is required for hardwired connections.
Specific Use Cases and Scenarios for Evno Microphones with ST-CL Clamp
Big Bands:
• Saxophone Sections: Mounting microphones on stands can provide the section with a uniform sound capture, ensuring balanced audio levels and precise placement for optimal acoustics. Easy to move on the stand, the gooseneck also offers the player to adjust the position to the various doubling instruments that are commonly played in a big band setting. Due to its smaller footprint than a normal stand microphone, it’s easier to physically move in tight to the microphone while during certain musical passages are played that may require their part to stand out.
• Trombone Sections: Using stand-mounted microphones helps maintain consistent audio quality and placement, crucial for trombone sections with their wide dynamic range. An Evno TBXST setup covers the full dynamic range of a trombone’s potential and will naturally absorb the sound as the player approaches for a solo.
• Trumpet Sections: Stand-mounted microphones can handle the high sound pressure levels of trumpet sections, offering clarity without distortion.
Broadway Show Pits:
• Pit Orchestra: In a pit orchestra setting, where space is limited and precision is essential, stand-mounted microphones allow for fixed, reliable placement, reducing the need for adjustments during performances. The player can easily place their instrument on an instrument stand while not playing during long passages.
Concert Band Solo Microphones:
• Soloists: Stand-mounted microphones provide soloists with stable, high-quality instrument specific audio capture, enhancing their performance by ensuring their sound is clear and prominent.
Home Recording:
• Instrument Recording: Musicians can use stand-mounted microphones for precise placement and consistent sound capture. Unless the players movement is crucial to the performance a stand option maybe beneficial. If the player tends to move a-lot during a typical performance then a clip-on may enhance the audio capture. An Evno setup, due to its smaller footprint could assist in the recording by allowing the player to tuck in tighter to the microphone as needed. The flexibility of the stand and gooseneck can position as needed.
Jazz Ensemble Solo Microphones:
• Soloists: Typically in a jazz ensemble the ‘solo’ microphone usually sits out in front of the band. An Evno microphone can easily be setup for the soloist out front to walk up to. And optional idea maybe to use a clip-on model wireless so one soloist could pass the microphone to the next depending on the demands of the music.
Marching Band Soloists:
• Solo Walk-Ups: For soloists who step forward to perform, stand-mounted microphones offer a reliable option for capturing solos without needing a clip-on mic, maintaining sound quality in outdoor environments. The option is there to also us the Evno microphone as a clip-on for the band’s next performance.
Sound Engineers for Specific Instruments:
• Acoustic Bass: Stand-mounted microphones allow for optimal positioning to capture the full range of the acoustic bass's sound, essential for live settings. The engineer now can provide a specific instrument designed microphone for the musician without worrying about if the player “would allow” them to fit it to their instrument.
• Cello: Engineers can achieve precise sound capture with stand-mounted microphones, crucial for the rich tonal qualities of the cello.
• Saxophones: Stand-mounted microphones provide stable, high-quality audio capture, essential for recording and live sound.
• Trombones: Fixed placement ensures the powerful dynamics of the trombone are captured accurately.
• Trumpets: Stand-mounted microphones can handle high sound pressure levels, ensuring clear, distortion-free sound.
• Low Brass: For instruments like tubas and euphoniums, stand-mounted microphones ensure balanced audio capture, highlighting their deep, resonant tones.
Tight Stages:
• Limited Space: In environments where stage space is restricted, stand-mounted microphones allow for efficient use of space while maintaining sound quality, essential for performances where movement is minimal or not desired.
These scenarios highlight the versatility and practicality of using Evno Microphones with the ST-CL clamp, providing tailored solutions for various performance and recording environments.
Additional Recomendations
The Clamp attaches to a standard threaded microphone stand which then allows an Evno microphone to be attached to the clamp. A perfect solution for players that sit in a pit, perform with an orchestra, a big band, or any place that where space has limited movement and a clip-on system is not required. Allows for quick and easy placement of an instrument on and off of an instrument stand while not playing. The setup is contained to a traditional microphone stand keeping all cables and power supplies away from your instrument and or music stand. The STCL can be placed on a microphone boom stand to reach over the bell of a saxophone, in front of an acoustic guitar, or on a straight stand at various heights for trumpets and trombones. Evno microphones attach to the clamp by a thumb tightening screw and can be placed either on the body of the microphone for a perfect fit or attached to the gooseneck which allows for alternate positioning as needed. Various placement options allow a nice alternative in home studio use which allows the player to close mic an instrument where traditional large diaphragm microphones may be limited due to space or availability.
5.5” Flex-stay Gooseneck holds position as desired
Powered by the PS95 with phantom power or (1) AA Battery. When used wireless, the Evno A1 powers the microphone or other brand transmitters
All parts are made by hand and assembled in the USA!
FIND YOUR ANSWERS HERE
FREQUENTLY ASKED QUESTIONS
Can I use the microphone wireless?
All Evno microphone packages are designed to be compatible with wireless setups. While each package includes specific components tailored to the chosen setup, the microphone itself is versatile and can be seamlessly integrated with any configuration, including wireless.
Can I use my Evno microphone with other brands of wireless?
Yes, EVNO microphones are designed to be versatile and compatible with various other popular wireless systems, including those from Shure, Sennheiser, AKG, and McCormick. To ensure seamless integration, you will need the correct adapter cable for each brand.
What is the best EVNO wireless setup?
When selecting the best wireless setup from EVNO Microphone Systems, it's essential to consider your specific needs and performance requirements. EVNO offers three distinct wireless options, each catering to different scenarios while maintaining top-notch sound quality across the board.
W1 - True Diversity
W2 - Dual Wireless
Air - Perfect travel size and quick and easy setups.
Please see our education page for more information.
What Is Phantom power?
Phantom power is direct current (DC) electric power that is applied equally to both signal wires of a balanced microphone cable. Phantom power supplies are most often built into mixing consoles and microphone preamps. The purpose of Phantom power is to supply 48 volts of current to microphones that have built-in active circuitry over the same cable that is used to send the microphone’s signal back to the mixer or preamp. Since there is no visible power supply unit (like those common with tube microphones) the term Phantom power is used.
Do you offer a belt pack style transmitter with a volume control?
Yes, Evno offers the A2 belt pack transmitter for musicians who prefer an on-body transmitter. The A2 includes a convenient volume control, allowing players to adjust their sound levels effortlessly.
Do you have a hand held wireless microphone?
Yes, Evno offers the AH handheld microphone which sync’s to the W1, W2, and Air receivers. The most common setup would be to combine the AH with W2 Dual receiver to have both a wireless horn microphone and hand held active at the same time.
Where do I order an Evno Microphone?
Evno Microphones are available at our growing number of dealers. The dealer can assist you with your buying needs. See current dealers page for more information. If a dealer does not have stock, you can order directly on our website. For a list of distributors and dealers outside of the USA, please also see the dealers page.
Additional Recomendations
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