EVNO TPX1ST + STAND

Evno TPX1ST Stand Mounted Trumpet Microphone System

≈ Designed specific for Trumpet and Flugelhorn

≈ Mounts to traditional microphone stand

≈ Compatible with bell and off the bell mounted setups

≈ High SPL level capsule / threshold to capture soft to lead style playing

≈ Ideal for soloist and horn sections including large ensembles of all styles

≈ 5.5” Flex-stay Gooseneck holds position

≈ Stand mountable with optional clamp when moving isn’t required

≈ Compatible with Evno, Shure, Sennheiser, AKG, & McCormick Wireless

≈ Powered by PS95 for hardwired connection or wireless transmitters

≈ Includes Evno plastic carrying case

The Evno TPX1ST trumpet microphone system is designed and manufactured by hand in the USA. The microphone is designed specifically for the player looking to mount on a traditional microphone stand. The TPX1ST will produce the most natural reproduction of sound possible while allowing for the most gain before feedback. The TPX1 system includes a high SPL tolerance tuned specifically for trumpet and suited for a stronger level of output that a brass instrument can produce.  The microphone will allow you to be heard as you sound without coloration giving the audience a true representation of the sound the player works a lifetime to develop. Suitable for lead style. Designed for sound engineers looking for an instrument specific trumpet microphone placed on a traditional microphone stand or for the players in orchestra’s and pit’s where movement is not necessary.

The TPX1 is the perfect choice from solo performance settings, principal soloist’s in all genres, to high energy horn section bands of all styles.  The system can be used in low to high volume applications without the worry of saturating the element due to volume or high end feedback from surrounding instruments.  The TPX1 is the ideal choice for trumpet players playing not only with lead style characteristics but also for the low to mid range and softer playing environments. The TPX1 gooseneck, designed in the USA, holds position as desired while being lightweight in design.  The microphone itself is built with perfect venting as well as a highly attractive machining process creating a beautiful look while allowing the frequencies of the instrument to fully be captured by the microphone itself.  Suspended in a standard microphone variable suspension of 7 points, the microphone allows for simple and easy replacements of the O rings as needed. The microphone body is terminated with a 3 pin mini XLR connection which is used for both wired and wireless connections. 

The microphone system can be used wired or wirelessly and is also adaptable to bell mounting if needed. The Evno TPX1 is shipped with the PS95 power supply for wired use while still being adaptable and ready to use with Evno, Shure, AKG, or Sennheiser wireless systems.  (AKG and Sennheiser cables ordered separately to mate the microphone with another brand wireless or available in a package with the microphone and cable for customers who already own an Evno, AKG, Shure, or Sennheiser system.) By-pass the cable to connect to Envo clip-on wireless transmitters. See additional packages for the TPX1 system with Envo Wireless or the TPX1 microphone setup directly for use with Shure, AKG, or Sennheiser wireless systems.

The complete Evno TPX1ST setup includes an Evno PS95 power supply / preamp, Evno ST-CL Clamp, TPX1 Microphone, case, and a cable. XLR cables to connect from the PS95 power supply to a mixing console not included. A standard XLR / Mic cable is required.

Additional System Packages to Explore:

Evno TPX1-Air (TPX1 trumpet microphone with clamp, A1 Clip-on Wireless Transmitter, Evno Air “Travel” Receiver, and power supply.)

Evno TPX1-W1 (TPX1 trumpet microphone with clamp, A1 Clip-on Transmitter, 99 Channel True Diversity Receiver, rack kit, and power supply.)

Evno TPX1-W2 (TPX1 trumpet microphone with clamp, A1 Clip-on Transmitter, 99 Channel Dual Band receiver, rack kit, and power supply.)

Evno TPX1-TA4 (TPX1 trumpet microphone with clamp, leather carrying bag, with 4 pin Mini XLR cable.) Use with Shure wireless and Evno PS95 power supply not included.

Evno TPX1-3.5 (TPX1 trumpet microphone with clamp, leather carrying bag, and 3.5mm locking cable for Sennheiser wireless systems) Use with Sennheiser wireless with 1/8in locking connectors.

Evno Instrument Stand Microphones:

Evno Microphones has introduced a new product that enhances the flexibility of their instrument-specific microphones by providing an option to mount them on a stand. This setup is beneficial in various performance settings where a clip-on microphone might not be ideal or desired. For example, musicians performing in a Broadway-style pit, on a marching band field, on a crowded stage, or in situations where movement is minimal, may find a stand-mounted microphone more suitable.

The ST-CL (stand clamp) enables different Evno Microphones to be attached securely to a traditional microphone stand, ensuring consistent placement. This means musicians no longer need to use a generic stand microphone or general vocal dynamic microphone when they can utilize a microphone specifically designed for their acoustic instrument.

The ST-CL clamp can be purchased either with specific Evno microphone models or as a separate accessory. When ordered as part of the ST models, the package includes the following:

- An Evno microphone tailored for the specific instrument

- The ST-CL stand clamp

- A PS95 preamp/power supply

- A 3-4 pin mini XLR cable

- A leather Evno-branded carrying bag

All ST models are also compatible with Evno wireless systems, offering further flexibility for various performance environments and can also be additional adapted to a clip-on setup with additional clamps.

Specific Use Cases and Scenarios for Evno Microphones with ST-CL Clamp

Big Bands:

•     Saxophone Sections: Mounting microphones on stands can provide the section with a uniform sound capture, ensuring balanced audio levels and precise placement for optimal acoustics. Easy to move on the stand, the gooseneck also offers the player to adjust the position to the various doubling instruments that are commonly played in a big band setting.  Due to its smaller footprint than a normal stand microphone, it’s easier to physically move in tight to the microphone while during certain musical passages are played that may require their part to stand out.

•     Trombone Sections: Using stand-mounted microphones helps maintain consistent audio quality and placement, crucial for trombone sections with their wide dynamic range. An Evno TBXST setup covers the full dynamic range of a trombone’s potential and will naturally absorb the sound as the player approaches for a solo.

•     Trumpet Sections: Stand-mounted microphones can handle the high sound pressure levels of trumpet sections, offering clarity without distortion.

Broadway Show Pits:

•     Pit Orchestra: In a pit orchestra setting, where space is limited and precision is essential, stand-mounted microphones allow for fixed, reliable placement, reducing the need for adjustments during performances. The player can easily place their instrument on an instrument stand while not playing during long passages. 

Concert Band Solo Microphones:

•     Soloists: Stand-mounted microphones provide soloists with stable, high-quality instrument specific audio capture, enhancing their performance by ensuring their sound is clear and prominent.

Home Recording:

•     Instrument Recording: Musicians can use stand-mounted microphones for precise placement and consistent sound capture.  Unless the players movement is crucial to the performance a stand option maybe beneficial.  If the player tends to move a-lot during a typical performance then a clip-on may enhance the audio capture.  An Evno setup, due to its smaller footprint could assist in the recording by allowing the player to tuck in tighter to the microphone as needed.  The flexibility of the stand and gooseneck can position as needed.

Jazz Ensemble Solo Microphones:

•     Soloists: Typically in a jazz ensemble the ‘solo’ microphone usually sits out in front of the band.  An Evno microphone can easily be setup for the soloist out front to walk up to.  And optional idea maybe to use a clip-on model wireless so one soloist could pass the microphone to the next depending on the demands of the music.

Marching Band Soloists:

•     Solo Walk-Ups: For soloists who step forward to perform, stand-mounted microphones offer a reliable option for capturing solos without needing a clip-on mic, maintaining sound quality in outdoor environments. The option is there to also us the Evno microphone as a clip-on for the band’s next performance.

Sound Engineers for Specific Instruments:

•     Acoustic Bass: Stand-mounted microphones allow for optimal positioning to capture the full range of the acoustic bass's sound, essential for live settings. The engineer now can provide a specific instrument designed microphone for the musician without worrying about if the player “would allow” them to fit it to their instrument. 

•     Cello: Engineers can achieve precise sound capture with stand-mounted microphones, crucial for the rich tonal qualities of the cello.

•     Saxophones: Stand-mounted microphones provide stable, high-quality audio capture, essential for recording and live sound.

•     Trombones: Fixed placement ensures the powerful dynamics of the trombone are captured accurately.

•     Trumpets: Stand-mounted microphones can handle high sound pressure levels, ensuring clear, distortion-free sound.

•     Low Brass: For instruments like tubas and euphoniums, stand-mounted microphones ensure balanced audio capture, highlighting their deep, resonant tones.

Tight Stages:

•     Limited Space: In environments where stage space is restricted, stand-mounted microphones allow for efficient use of space while maintaining sound quality, essential for performances where movement is minimal or not desired.

These scenarios highlight the versatility and practicality of using Evno Microphones with the ST-CL clamp, providing tailored solutions for various performance and recording environments

Microphone packages to explore:

SXST - Evno SX Saxophone microphone with stand mounting

SPX1ST - Evno Soprano Saxophone microphone with extension bar and stand mounting

TPX1ST - Evno Trumpet microphone with stand mounting

TBXST - Evno Trombone microphone with stand mounting

CHXST - Evno Cello microphone with stand mounting

GTXST - Evno Guitar microphone with stand mounting

ABXST - Evno Acoustic bass microphone with stand mounting