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ron@evnomicrophones.com
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Main Features
W1 Description
CLX Description
Specs
Included
Setup and Configuration
Frequency by
Region
Evno W1 - True Diversity Antenna System:
≈ Utilizes two antennas and two receivers simultaneously, combining the audio and switching between antennas based on signal strength for enhanced stability and range.
≈ Range: Offers a maximum distance of approximately 150 meters, making it suitable for large venues and stages.
≈ Metal Chassis: Durable and robust design with a 1-XLR and 1-1/4 inch output.
≈ Rack-Mountable: 1/2 rack-mountable design with a rack-kit and extension cables for standard rack unit placement. Antennas can be positioned on the front of the rack case for easy access and removal.
Evno CLX Clarinet Microphone System
≈ Designed specific for Clarinet
≈ Single output with 70% / 30% balance from top of instrument to bottom
≈ Anodized aluminum clamp for strong secure barrel mounting
≈ Capsule captures soft to lead style playing with great detail
≈ 5.5” and 4” Flex-stay Gooseneck holds positions as needed
Evno Microphones can be purchased in combination with Evno Wireless Systems. These packages include the instrument microphone of your choice plus the complete W1 True Diversity System. This is a complete wireless microphone system ready to go. At any time, you also have the option to add the PS95 and the various optional cables for hardwired and wireless use with other major brands, making your wireless package very versatile.
The W1 True Diversity system is offered for nearly all microphones in the Evno line. The packages include the microphone (instrument specific), complete W1 wireless system including A1 transmitter, W1 receiver, power supply, rack kit, and BNC antennas.
The EVNO CLX clarinet microphone system is designed and manufactured by hand in the USA. The microphone is designed specifically for clarinet and oboe. A bell mounted setup designed to produce the most natural reproduction of sound possible while allowing for the most gain before feedback. The double microphone design has a predetermined mix allowing the frequencies over the bell to be greater than the bell to achieve the most natural sound of the instrument as possible. Similar to the SPX2 the CLX has many of the same characteristics however varies in several ways to accurately accommodate the clarinet. The CLX double microphone design includes two elements tuned specifically for clarinet and oboe and suited to address all the problems that are common in mic’ing a lower volume instrument. The microphone will allow you to be heard as you sound without coloration, giving the audience a true representation of the sound the player works a lifetime to develop.
The CLX is the perfect choice from solo performance settings, principal soloist’s in all genres, to high energy horn section bands of all styles. From orchestral musicians to jazz, folk, klezmer, polka, and marching band the CLX will give you a setup where all the nuances of the instrument can be heard. Each genre and player has a different sound and by keeping the microphone flatly EQ’d, you’ll sound like YOU sound without coloration. The system can be used in low to high volume applications without the worry of saturating the element due to volume or high end feedback from surrounding instruments. The CLX is the ideal choice for clarinet and oboe players playing not only as a principal soloist but in sections alike. Clarinet quartets, trios, and marching band sections alike are able to use the microphone wired or wireless as desired. The Evno designed clamp allows for perfect placement above the bell of the clarinet by putting the upper head of the microphone at the perfect point above the keys and the lower microphone in front of the bell.
The gooseneck allows movement away from the body of the instrument and the bell as needed to accommodate fingers and key movement. The microphone is easy to place on and take off the instrument with a screw tightening clamp while always being attached at the perfect height. The gooseneck in from the bell allows movement to place on an instrument stand. The CLX gooseneck, designed in the USA, holds position as desired while being lightweight in design. The microphone itself is built with perfect venting as well as a highly attractive machining process creating a beautiful look while allowing the frequencies of the instrument to fully be captured by the microphone itself. Suspended in two standard variable 7 point suspensions, the microphone allows for simple and easy replacements of the O rings as needed. The microphone body is terminated with a 3 pin mini XLR connection which is used for both wired and wireless connections.
The microphone system can be used wired or wirelessly. The Evno CLX is shipped with the PS95 power supply for wired use while still being adaptable and ready to use with Evno, Shure, AKG, or Sennheiser wireless systems. (AKG and Sennheiser cables ordered separately to mate the microphone with another brand wireless or available in a package with the microphone and cable for customers who already own an Evno, AKG, Shure, or Sennheiser system.) The included cable with the CLX system works both with the Evno PS95 phantom power adapter, and Shure wireless transmitters. By-pass the cable to connect to Evno clip-on wireless transmitters. Additional packages include the CLX system with Evno Wireless or the CLX microphone setup directly for use with Shure, AKG, or Sennheiser wireless systems.
Receiver:
• Frequency Range: 902-928 MHz, 823-832 MHz
• Receive Sensitivity: -110 dBm (sinad ≥30 dB)
• Signal/Noise Ratio: >105 dB
• Power Supply: DC 12V / 500 mA
• Audio Output: 1-XLR, 1-1/4 inch
• Antenna: True Diversity, Detachable
Transmitter:
• Frequency Range: 902-928 MHz, 823-832 MHz
• RF Power: 10 mW
• Microphone Type: Condenser
• Directivity: Cardioid
• Deviation: ±48 KHz
• Antenna: 1/4 wave length wire type
• Battery Voltage: 1.5V (1x1.5V AA Battery)
• Power Consumption: 14 hours, battery-dependent
System Specifications:
• Frequency Range: 902-928 MHz, 823-832 MHz
• Modulation Mode: FM
• Dynamic Range: >100 dB
• Frequency Response: 60 Hz - 17 KHz ± 3 dB
• Total Harmonic Distortion: <0.5% at 1 KHz
• Signal/Noise Ratio: ≥108 dB
• Distance: Up to 500 feet / 150 m
Each package includes:
• Instrument-specific microphone: Tailored to the acoustic properties of the specific instrument.
• Complete W1 Wireless System: Ensures high-quality wireless audio, with True Diversity receiver, and rack mountable.
Setup and Configuration
• Power Supply: Includes a 12V power supply for easy setup.
• Channel Selection: Features 99 available channels that can be quickly changed using an IR sync process, allowing for rapid adjustments on stage.
• Compatibility: Can be used with up to 5-6 systems simultaneously, making it ideal for horn style bands. Compatible with other Evno systems (Air, W2) and transmitters (A2, AH, A4), depending on region and availability.
• Frequency Ranges:
◦ 900-928 MHz: For the United States, Brazil, Canada, and other free frequency regions. *See additional information for all regions including South America.
◦ 823-832 MHz: For most territories in Europe. *See additional information for all regions including Australia.
902-928MHz Countries of operation:
Australia (915-928MHz)
Brazil (902-907, 915-927.75MHz)
Canada
Columbia
Costa Rica
Dominican Republic
Ecuador
Guyana
Hong Kong (923-925MHz)
Indonesia (923-925MHz)
Mexico
New Zealand (915-928Mhz)
Paraguay
Peru
Puerto Rico
South Korea (925-928)
Venezuela
United States of America
823-832Mhz Countries of operation:
Austria
Belgium
Bosnia and Herzegovina
Bulgaria
Cyprus
Denmark
Estonia
Finland
France
Germany
Greece
Hungary
Ireland
Italy
Latvia
Lithuania
Luxembourg
Malta
The Netherlands
Norway
Portugal
Romania (823-826)
Serbia
Spain / Andorra
South Africa
Sweden
Switzerland
United Arab Emirates
United Kingdom
Ukraine
The W1 True Diversity system is offered for nearly all microphones in the Evno line. The packages include the microphone (instrument specific), complete W1 wireless system including A1 transmitter, W1 receiver, power supply, rack kit, and BNC antennas.
Beltpack free transmitter clips to an Evno Microphone.
5.5” Flex-stay Gooseneck holds position as desired
The CLX-W1 can be converted to wired use (non wireless) with the PS95 Preamp / Power supply.
All parts are made by hand and assembled in the USA!
Additional Recomendations
FIND YOUR ANSWERS HERE
FREQUENTLY ASKED QUESTIONS
Can I use the microphone wireless?
All Evno microphone packages are designed to be compatible with wireless setups. While each package includes specific components tailored to the chosen setup, the microphone itself is versatile and can be seamlessly integrated with any configuration, including wireless.
Can I use my Evno microphone with other brands of wireless?
Yes, EVNO microphones are designed to be versatile and compatible with various other popular wireless systems, including those from Shure, Sennheiser, AKG, and McCormick. To ensure seamless integration, you will need the correct adapter cable for each brand.
What is the best EVNO wireless setup?
When selecting the best wireless setup from EVNO Microphone Systems, it's essential to consider your specific needs and performance requirements. EVNO offers three distinct wireless options, each catering to different scenarios while maintaining top-notch sound quality across the board.
W1 - True Diversity
W2 - Dual Wireless
Air - Perfect travel size and quick and easy setups.
Please see our education page for more information.
What Is Phantom power?
Phantom power is direct current (DC) electric power that is applied equally to both signal wires of a balanced microphone cable. Phantom power supplies are most often built into mixing consoles and microphone preamps. The purpose of Phantom power is to supply 48 volts of current to microphones that have built-in active circuitry over the same cable that is used to send the microphone’s signal back to the mixer or preamp. Since there is no visible power supply unit (like those common with tube microphones) the term Phantom power is used.
Do you offer a belt pack style transmitter with a volume control?
Yes, Evno offers the A2 belt pack transmitter for musicians who prefer an on-body transmitter. The A2 includes a convenient volume control, allowing players to adjust their sound levels effortlessly.
Do you have a hand held wireless microphone?
Yes, Evno offers the AH handheld microphone which sync’s to the W1, W2, and Air receivers. The most common setup would be to combine the AH with W2 Dual receiver to have both a wireless horn microphone and hand held active at the same time.
Where do I order an Evno Microphone?
Evno Microphones are available at our growing number of dealers. The dealer can assist you with your buying needs. See current dealers page for more information. If a dealer does not have stock, you can order directly on our website. For a list of distributors and dealers outside of the USA, please also see the dealers page.
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